La pittura non riconosce costumi - i bambini non conoscono gender - l’arte odia i pittori libro Italy) was a central figure

Italy) was a central figure in research regarding the boundary between architecture and art in the later 1960s—a movement Germano Celant dubbed “radical architecture

a work of compelling topicality focused on listening to and understanding the other

sociologists and researchers

The book comprises around twenty essays by renowned authors selected by a specially appointed scientific committee

l'autore che ha saputo trasformare il fumetto in una nuova arte

La pittura non riconosce costumi - i bambini non conoscono gender - l’arte odia i pittori libro Italy) was a central figureConceived entirely by Enzo Cucchi, the volume is the first artists book published by the Fondazione MAXXI. Produced on the occasion of the monographic exhibition held at the museum, the publication brings together fifteen drawings formatted by the artist to create new connections, images of the installation, a brief contribution by the curator and presentations by the director and the president. The paper chosen for the cover and pages is of